Tuesday, 18 March 2014

Treatment



Filth on film
The Story of the Journey of the Making of
THE VERY DEAD !
This short film documents a look back at the notorious cult classic " The very dead ". comprised of a visit to the original shooting location,  conversations with the temperamental producer Conrad Berk and the somewhat confused and beleaguered director Martin King and long lost clips from this much missed piece of cinematic excellence.

* The film is intended to be a parody in the vein of " This Is Spinal Tap" or " The Day Today", the intention is to employ the clichés found in late 70's early 80's horror films as well as employing some of the cliché's found in retrospective documentaries  whilst trying to stay "true" to the general aesthetic of the material that has influenced this film. I.e. the actors delivering the material seriously, not acknowledging that it is a joke.

Wednesday, 5 March 2014

THE VERY DEAD !



The Very Dead!
To do list:
·         Locations : Landjore Farm for " The very dead " Interiors and Exteriors. Use the barn and the driveways
·         Interviews to be done at Arts Centre and T3.18
·         Plan budget:-  Fake blood, contact lenses,  facial make up, prosthetics, guts and entrails.
·         Actors- start Looking!
·         Script must be started- you may need to do trailer dialogue separately
·         Find shooting date
·         Music.
·         find out about posters, can you create one yourself?.
·         Have a making of to document the film.
get paperwork together i.e. Risk Assessments/ call sheets/shot lists.


THE VERY DEAD!
Pre Production  ( to be completed by 11/03/2014)
·         Script
·         props  i.e.  make-up/ contact lenses/ fake blood
·         " making of " stills, production stills ( Monday 10th March)
·         Posters for background
·         Equipment booked.
·         crew/ cast confirmed
·         Budget
·         All relevant paperwork i.e. risk assessments/equipment lists/release forms etc
·         Shoot " tracking shots "
·         Shoot "making of "


Production

Location: Landjore Farm

CAST
Edward Haddon
James Haddon
Jeremy Haddon
Aimee Haddon ?
SHOOT:  Trailer scene one:  camera follows Aimee
Trailer Scene two: Jeremy, Eddie, James possessed
Trailer Scene three : Eddie Possessed
Trailer Scene four : Aimee Screaming
Trailer Scene five :  Eddie pulling guts out of Jez's stomach
Trailer Scene six: Jimmy, Ed, Jez and Aimee pull up to the house ( daytime)
Trailer Scene seven : door opens on it's own
Trailer Scene eight :  Cat
 

Tuesday, 28 January 2014

Gravity or " George Clooney saves a woman, even when he's dead"

I'd heard about Gravity, I read about it, I'd seen the mind blowing trailer, let's face it , the footage was rather spectacular, even at my age and my experience with films, I still get swept away with hype sometimes, after all isn't that the point of a marketing campaign?. I was even interested in the whole " 3-D " aspect of it and how it was the first film to really explore the artistic possibilities of the medium, rather than tack it on to the film as a cynical ploy to dissuade pirates. ( If that meant that I wouldn't have to see Johnny Depp pretend to a pissed up reject from the sunset strip again, I'd want every film to be in 3-D).

Yet as it was screened for me and my fellow group of bitter students, I felt a sudden feeling of " this isn't very good " creeping in. I felt like i had  "sold out " a little bit, seeing as I had raised my hand in favour of      
" Gravity" when we could have watched  " It's A Wonderful Life ". within twenty minutes I regretted this decision, I could have watched, what is regarded as one of the greatest films of all time, at Christmas on a cinema screen with a group  of relatively like-minded people, but I decided to go for the eye-candy, current release, knowing that If i saw it now, I wouldn't have to pay out for a screening, seeing as the film was free.

Amidst the "Boos" and " Hisses" and inadvertent laughter targeted at the events on screen, I decided first of all, that I really couldn't see what the fuss was all about!. I did'nt really feel one way or another about it, it's was certainly becoming tedious to me and a bit repetitive but it i did'nt hate it.

...something bothered me about it though and  as usual my brain decided to take it's sweet ass time to decide what it was that I did'nt like about it.

Then it suddenly became clear to me!. It's a pandering sexist and condescending take on what could've been a genuine attempt by Hollywood to portray a woman solving her own problems.
Here is a woman , who for the most part manages to rise above her relative inexperience as an astronaut to survive and prosper in a situation where 99% of the human population would  just fill their underwear with bodily pudding. there is even an attempt to portray her as a tortured and damaged individual, an obvious attempt to give instill some depth and humanity into the character. Yet after all this, even after they kill off Buzz Lightyear...i mean George Clooney...they have him return in what be one of the most blundering  attempts at a cinematic "pep-talk" I have ever witnessed. Sandra bullock has run out of options, all hope is lost and she has given up. she has turned up the CO2 levels so she can slip into unconsciousness and die peacefully, yet at her darkest moment, who should arrive but " George- Batman, Peacemaker, Billy Ocean ( or some other ocean bloke)- Clooney to tell her that " she can do it and to not give up!". So after all this groundwork, you're willing to kill yourself until a man tells you not to...worse than that he's dead, it's a dream sequence, so it's now the voice of a man in her head telling her what to do and it's George Clooney!. the manliest of all Hollywood alpha males. Well Done, here's to the 21st century when it arrives. Christ, even Lois Lane in Man of Steel, a film inherently man-centric, the clue is in the title did a better job of portraying a what an independent modern working woman should behave like and that script was horrible!

Maybe I'm looking at this film too much in the wrong way and I should just see it as the " vehicle" that it is meant to be. that's always going to be a default argument for a big budget Hollywood movie, that it doesn't need to have any substance or any anything deeper than it's surface value.

That's true it doesn't, but for a film that has got so much critical praise, I'm baffled by how stupid it actually is.

I'm sure the makers are really considering the political and social economics of the film all the way to the bank but It's  not going to stop me and my empty bank account from going on this tirade!


The Very Dead!

My pitch for my final project is to present a film that acts as a " mockumentary" in the vein of 
" This is Spinal Tap" where i want my film to  act as retrospective documentary for a film called " The Very Dead ". I would like to intersperse the interview footage with excerpts of scenes from " The very dead". i have already identified a place to shoot the footage from the " film" and I'm thinking of asking the arts centre if i can use their screening room as one of the interview locations.

I have started writing as script and should start storyboarding soon and potentially i would like to start shooting end of February /beginning of march.

I would really like to use this as an opportunity to experiment with make-up and effects, use different filming practices that i have acquired over the last three years.

Most importantly I would like this project to be enjoyable for the audience and to be able to leave my mark, to make my final academic project stand out from the rest of my work.

Wednesday, 11 December 2013

Dissertation Notes



Dissertation  Notes:
Chris McNeil- The exorcist
Margaret White- Carrie.
* what are the differences/ similarities between these two characters when dealing with their respective teenage daughters and the transformation they both go through?
* how does the religious sub text play out in both films concerning the two female leads? (chris is an atheist, Margaret is a religious fanatic)
* Do they both experience the same feelings of guilt when dealing with being a single parent?
* how does social status, mental health, the outside world affect them and influence them in their decisions?
*What is their overall character arc?. What is the outcome? How have they changed?
* Is the political climate of the 70's important to these two characters?
Study Resources:
Look into books about single parenting perhaps?:
two maybe worth looking at:
The Defiant Child: A Parent's Guide to Oppositional Defiant Disorder by Douglas Riley
The Single Parents Handbook by Ms Rachel Morris
http://www.circleofmoms.com ( interesting posts about fear of children and fear of children growing up)

Books on horror films of the 70's
Malice in Wonderland: The Political Unconscious in American Horror Films of the 1970s by Bojan Baca
Carrie (Devil's Advocates) by Neil Mitchell.
The Exorcist ( BFI modern classics) by Mark Kermode
Religious Fanaticism:
The Moral Landscape by Samuel Harris.
Notable Words to investigate:
Paternalism.
Matriatchy.
I Need to settle on actual questions for my project!
Parents:  How does their roles as single mothers define their characters and what are their similarities and differences?
Religion: Both characters stand at opposite ends of the religious spectrum, How does this affect their own individual value systems?
Journey:  Both characters face the wrath  of their children, how do these two individuals deal with this throughout their respective stories
Time : Was the period these films were set in important?. Were they important in the progression of the female" lead" in mainstream cinema?

Possible Title for the project:
*Matriarchs of Horror-  A  study of two female characters in 70's horror
* Carrie/The Exorcist-  A study of two female lead characters in 70's horror
*  Chris McNeil/ Margret White - The mothers of 70's Horror
* Carrie/the Exorcist-  A study of the two female leads and their value systems.

Bibliography



Bibliography :
Mysteries: An investigation into the occult, the paranormal and the supernatural
Watkins Publishing LTD
Colin Wilson- 1978

Non Places : Introduction to the anthropology of super-modernity
Verso Books  new edition
Marc Auge 2009

City Of Dreadful Night
National Reformer
James B.V. Thompson 1874

visual/ audio footage :

 Some footage was sourced from www.YouTube.com.

#  Young man gives an unforgettable speech about Jesus
Lords of Praise
2012

# NYPD Cops wake up a sleeping homeless man before beating him
ABC 7 News
2012

#  Wake up U.S.A.
End Times News Update
 2013

# A child dies every six minutes in horn of Africa
SanDamanioFilms & v2vmom
2012

#Emotional horn of Africa appeal
Ummah welfare trust
2011

#Le calvaire d'un enfant somalien
Afreeque
2011

#Nuclear Explosions ( stock footage compiled)
Manual Fri
2013
                              
# Dachau concentration camp 1945
 Uploaded by The Saass1
2012

# Army- What would you do?
Uploaded byModernSolr4
2002

#Oak Furnitureland Advert
Oak Furnitureland
2013

#Tamara Foster sings
The X Factor
2013

#Nitrostirumpa - A Injection Of Heroin Made Me Happy Today
Uploaded by Konjunction26
2011

 #Tony Blair's Victory Speech
Uploaded by MrElectionist
2009

Terminator 2: Judgment Day
Dir. James Cameron
1991

American Psycho
Dir. Mary Harron
2000

Charles Mason: The man who killed the sixties
Channel 4
Dir. Peter Bate 1994

Black Metal Satanica
Dir.Mats Lundberg
2008

Supersize Me
Dir. Morgan Spurlock
2004

The Passion of the Christ
Dir. Mel Gibson
2004

Photos that were also used:
  Niklas Kvarforth portrait  found on www.truemetalhead.com

"Halmstad"  Taken by Niklas Kvarforth 2002

"Prospectors Arrive" by Jonny Greenwood ( 2007) used 
in film.